Mandolin lessons. Why the Carlo Munier method rather than others?

The mandolin lessons that we will publish on this blog will have as a 'textbook'  the "Metodo pratico completo - Scuola del Mandolino" written by Carlo Munier.
The choice, long and weighted, was done mainly, but not only, for the following reasons:
1) It 'a great method, has clear illustrations and is easy to read, the text is in english, italian and french, the exercises are numerous and gradual, in some parts too gradual so that we will skip someone and we will resume some in "summary exercises".
2) It's available for free on the web (find the link here or on the right side of the blog) which means you can download it, print it, spread it, but it also means that it will not be a problem if you forget the method going somewhere, you can re-download and keep going with your exercises.
3) It is part of a overall and powerful work  of which primarily we will use the Method, the "Scioglidita" (finger melter!!) with specific scales studies, preludes and cadences aimed at improving the speed, and the "Utile dulci" who starts the study of duets.
The author himself is a sort of rockstar in the history of the mandolin, for a discussion on the figure refer to his Wiki page.
Other methods are still very valid, and many are also available for free, such as the Method in 125 lessons written by Giuseppe Branzoli.

The same post on the italian blog

Learning to read music or learn to read TABs?

Music notation is the one read by the system of dots and other symbols, on the pentagram, the TABs report instead the four pairs of strings on which is marked a number for the key to be pressed. For example for playing the 1st pair of open strings into musical notation a dot will appear in the space between the two lines of the higher stave, in a TAB appears a zero (which indicates the string to  be played 'open', without a ginger on the fingerboard), on the highest line .
Many believe that they save time by learning to read the TABs, ignoring musical notation.
I know I'm about to say something unpleasant but the investment of learning to read music is one of the best that we can do and I highly recommend it for, among others, those reasons.
1) It 'a universal language, which applies to every musical instrument, if you show your mandolin TAB to a flute player or a pianist they will ask you what on earth is that piece of paper, if they see a score they will start mumbling the song.
2) Once you learn to read music it can be applied to every instrument, albeit with limitations, the score of your instrument will be in fact identical, to read, to the flutist part.

The same post on the italian blog

The first notes on the mandolin. Tune the instrument

The four double mandolin strings are tuned in unison, that is, each string must be tuned the same way his twin.
Given that there is an old joke that says that the mandolin players spend half of their time to tune the instrument, and half playing with the instrument out of tune spend thirty bucks more for a good mandolin and ten bucks for an electronic tuner.
The first two or treble strings should be tuned on E and are those of thinner steel.
The second two strings should be tuned on A and are of a bit thicker steel.
The third two strings are coated and must be tuned on D.
The fourth, also coated, should be tuned on the G.
Tune the strings one at a time, that is, do not attempt to simultaneously tune both strings of the pair, You will only waste your time in such attempt.

So are you ready?
Let's start with this adventure

The same post on the italian blog